Once accepted you receive an analysed scene with clear ‘units’ (emotional shifts) that guide our time together.

we don’t expect you to know your lines, however, we do expect you to do the prep.

prep and learn in your way to be present in the space.

(WE send out the script as soon as you book your workshop so book with enough time do your prep)

part 1 - UNITS

throw off London. We cold read the scene.

We then paired up and work Through the units. 

We work through the scene unit by unit. Each pair work through one unit before we move on to the next one with a new pair.

We don’t move on until we’re confident.

Once we have worked the scene we repeat the process with pairs taking on a different unit.

The focus of part 1 is on interrogating the emotional dynamics that make up the scene. 

This detailed work allows us to gain conviction through clarity and precision.

Once we’ve worked through the scene twice in this compartmentalised way we now run it in totality.

part 2 - SCENE

building on your strong intentions, instincts and analysis found in part 1 We run through the scene.

SIMPLE.

being present gets thrown around in all sorts of spaces, but we believe there might be a good and valid reason for that.

These two parts are A time focussed on sharpening the instincts that make you a skilled artist.

This way of working generates freedom as you take ownership and gain authority over the scenes dynamics.

What sets you apart? what ensures you are ready when the time comes? staying sharp and consistently working.

no limits | no doubt | No Noise.