I just loved the way this was run. Not only is it an incredibly safe space for actors it is also clearly evident that Guy is a wonderful director. I saw huge improvement from all the actors, with their final performances leaps and bounds from where they began three hours before. On top of this the environment fostered in the room is safe, constructive and above all - genuinely kind. Guy champions actors' individuality and allows them to find the best in themselves and subsequently their performances.

It was such a joy to get to watch the actors work at No Noise Studio. The environment that Guy and Adeyinka have created feels so safe and comfortable which allows the actors to be their most vulnerable selves and produce incredible work.

Guy was able to give each actor such valuable direction without ever taking away from their performance or confidence. It is clear to see how collaborative and talented he is as a director.

The warmth and support from everyone in the room was so refreshing to witness and it genuinely felt like every single person came away from the session with a smile on their face and an added confidence in their ability.

"The CULTURE OF NONOISE IS SLICK: THE SPACE, ThE cHoICe oF MATERIAl, THE COMMITMENT, THE STRUCTURE... HAVING THE CHANCE TO WORK ON GREAT MATERIAL WAS ENOUGH TO GET ME THERE LAST WEEK, BUT I'LL KEEP RETURNING TO WORK WITH GUY.BRIMMING WITH ZEST AND A MASTERFUL UNDERSTANDING OF STORYTELLING. HIS INSIGHTS AND THAT FEELING HE CREATED IN ALL OF US. IT WAS FERVENT. I'M READY FOR MORE."

Credits include: MOTHERING SUNDAY, PLAZA SUITE, THIS TIME NEXT YEAR, MAD HOUSE

“I really enjoyed my session with No Noise! The text was dissected into segments allowing all of us to work on and discuss each other’s scenes. A very collaborative and safe environment”

Credits Include: Animal Farm, Inbetween, Still Up and Gal Pals.

As actors, so much of our time is spent auditioning and waiting. Being in this room will allow you to essentially rehearse a new project every week- with people who only want to see you soar.

Credits include: THIS TOWN, Karen Pririe, Macbeth (RSC), Constellations (Marianne Understudy - Donmar), TOTAL IMMEDIATE COLLECTIVE IMMINENT TERRESTRIAL SALVATION (National Theatre of Scotland/Royal Court)

I’d recommend No Noise to any actor...The writing they’ve chosen requires detailed, nuanced work that pushes you to find a greater connection with yourself as an actor and with your scene partner. Guy has a wonderful clarity to his direction, and the process always feels collaborative. We work on one scene as a group, going unit by unit in different pairs so the focus is always on the world we’re building together, not on showing off. The level of connection I’ve seen Guy uncover in these workshops has taken my breath away. I’ve left No Noise workshops feeling confident in myself and with a renewed sense of why I love acting.

Credits include: Scorpius Malfoy 'Harry Potter & The Cursed Child', Two Plus Ones, Cambridge Footlights.